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Help/Pressure/PRESSURE Control

PRESSURE Control

The PRESSURE knob is the heart of the plugin. It simultaneously maps threshold, ratio, attack, release, and knee width using per-engine quadratic curves — one knob does the work of five parameters.

How It Works

PRESSURE uses a p² (quadratic) curve to map the 0–100% knob position to compression parameters. The quadratic scaling means the knob feels linear to your ears: small movements at the bottom make subtle changes, while the top of the range gets progressively more aggressive.

Each engine defines its own curve, so the same PRESSURE position produces different behavior depending on the selected mode. The tables below show exact values at P=0.0 (minimum), P=0.5 (midpoint), and P=1.0 (maximum).

AUTO Mode

When AUTO is enabled, attack and release are program-dependent — they adapt to the incoming signal rather than using fixed values. The PRESSURE knob still controls the target amount of gain reduction, but the timing parameters adjust automatically to match the material.

TONE Interaction

The TONE knob tilts the sidechain detection frequency. On VCA, Drums, and VariMu engines, it controls a sidechain high-pass filter using a tone² curve:

EngineSC HPF RangeNotes
VCA (MIX)20–300 Hztone² × 150 Hz, enabled when tone² > 0.01
FET (INST)No sidechain HPF
Opto (VOCALS)Controls emphasis (optical cell emphasis)
Dynamics (DRUMS)20–120 Hztone² × 120 Hz, protects kick drum
VariMu (MASTER)20–250 Hztone² × 120 Hz

VCA (MIX Mode)

SSL G-Bus character

PRESSUREThresholdRatioAttackReleaseKnee
0%-14 dB2.0:130.0 ms1200 ms12 dB
50%-28 dB4.5:115.5 ms650 ms7.5 dB
100%-42 dB8.0:11.0 ms100 ms3 dB

Knee width scales inversely with ratio — SSL's defining trait.

FET (INST Mode)

1176 “Dr. Pepper” character

PRESSUREThresholdRatioAttackReleaseKnee
0%+22 dB4.0:1800 μs50 ms6 dB
50%-6.5 dB4.0:1410 μs150 ms6 dB
100%-35 dB21.0:120 μs50 ms6 dB

Ratio steps at P=60%→8:1, P=80%→12:1, P=92%→20:1, P=97%→All Buttons In (21:1). Release follows a V-shaped curve peaking at P=50%.

Opto (VOCALS Mode)

LA-2A optical character

PRESSUREThresholdRatioPeak ReductionMode
0%0 dB2.0:10Compress
50%-36 dB7.0:130Compress
100%-72 dB12.0:160Compress/Limit

Ratio is continuously variable (not stepped) — models the LA-2A's optical cell where compression ratio increases with signal level. No sidechain HPF; TONE controls emphasis instead.

Dynamics (DRUMS Mode)

dbx 160 transparent character

PRESSUREThresholdRatioAttackReleaseKnee
0%-8 dB2.0:130.0 ms300 ms0 dB (hard)
50%-20 dB3.5:116.5 ms200 ms0 dB (hard)
100%-32 dB8.0:13.0 ms100 ms0 dB (hard)

Hard knee always enforced (dbx 160 defining trait). Slightly slower attack than VCA preserves drum transients.

VariMu (MASTER Mode)

Fairchild 670 tube character

PRESSUREThresholdRatioAttackReleaseKnee
0%-24 dB2.0:10.4 ms5000 ms15 dB
50%-34 dB4.0:10.325 ms2650 ms11.5 dB
100%-44 dB8.0:10.2 ms300 ms8 dB

Attack clamped to Fairchild TC range (0.2–0.4 ms). Release clamped to mastering spec (300–5000 ms). Knee always wide (10–24 dB, tube-inherent). Tube warmth: even harmonics at 0.23 + tone × 0.32.

Preset-Specific Curves

When a factory preset is active, PRESSURE uses a signed-p² mapping centered at P=0.5 (the preset's home position). Each preset defines its own home parameters and scaling ranges, so the knob always feels musical relative to that preset's sweet spot.

centered = pressure - 0.5

t = sign(centered) × centered² × 4

P=0.0 → t=-1.0 (gentlest)

P=0.5 → t= 0.0 (home — the sweet spot)

P=1.0 → t=+1.0 (most aggressive)

param = home + t × range

See Presets for the full list of 34 factory presets with their home parameters.